Singing, slaying and going viral: how KPop Demon Hunters rocked the internet – and the Oscars (2026-03-20T11:22:00+05:30)

Jennifer Stokes, Adelaide University K-pop stars Huntr/x are carb-loading, pre-show, on a private jet, when their snacking is rudely interrupted by demons. Rumi, Zoey and Mira break into song, maintaining the tempo as they defeat the demons, drop to earth, and land in a packed stadium concert to tell the screaming audience that’s “how it’s done, done, done”. This electrifying sequence launches viewers into the world of KPop Demon Hunters. Released in June 2025, engaging action and a catchy soundtrack rapidly led this work to become Netflix’s most watched film of all time. This week, the film won the Oscar for Best Animated Feature, and another for Best Original Song with its identity-embracing anthem Golden. With content that celebrates Korean pop aesthetics and connects with diverse fandoms, KPop Demon Hunters was arguably destined for success. It’s a fine example of a film that is made for, driven by – and which reflects upon – our digitally-run attention economy. A wholesome story of self-acceptance KPop Demon Hunters is a slickly animated musical and supernatural fantasy. The demon-slaying girl group Huntr/x protect humanity, using K-pop songs and physical strength to keep evil in the netherworld. The demons decide the best way to defeat Huntr/x is by establishing a rival K-pop band – the Saja Boys. Through their catchy songs, the Saja Boys capture the public’s attention to feed to the uber-demon Gwi-ma (meaning “evil ghost” in Korean) – positioning the demons for world domination. Huntr/x must use the power of K-pop – and learn to embrace their true selves – to save the world. The theme of battling conflicting internal identities resonates on multiple levels – for young people struggling to make meaning in today’s messy world, and for an Asian diaspora who may have never seen themselves reflected in such a cultural juggernaut. Ear worms to draw people in KPop Demon Hunters has dominated global charts since its release. Produced by Sony Pictures Animation and distributed via Netflix, the film was viewed more than 569 million times in eight months. It then made the leap to sing-along screenings around the world. The fast-paced story is propelled by a catchy soundtrack, which fuses Korean lyrics with Western pop elements. The fictional K-pop group Huntr/x became the first girl group to top the Billboard Hot 100 since Destiny’s Child’s Bootylicious in 2001. Frozen’s Let it Go only ever got to number five. Golden won a Golden Globe, and also became the first K-pop song to win a Grammy. A movie for the K–pop generation The film itself is unashamedly pop. When the Saja Boys first perform onscreen, the girls can’t help but join the crowd in wiggling their shoulders. “It is annoyingly catchy,” Rumi concedes. Gen-Z language is embedded throughout the film, such as when Rumi reflects on her journey to become “the Queen” she’s meant to be. When Mira croons, “fit check for my napalm era”, she is both checking her outfit and prepping for an explosive battle. The word play here adds several layers of meaning. Those watching the music charts in the film closely will also spot an in-joke when they see a Huntr/x song rise above real-world group Twice (members of which were vocalists for several Huntr/x songs). The narrative both analyses internet culture and strongly connects with its potential, exhibiting attributes shown to increase viral success. The film’s high energy, fun tone and often celebratory sequences make it very shareable; fans were quick to create TikTok dances, memes and gifs. Its critical and commercial success is also grounded in deliberate cultural policy in the form of hallyu (aka the Korean wave). This cultural export strategy was first implemented by the South Korean government in the late 1990s to exert soft power through cultural products that draw positive attention to – and drive economic interest in – the country. KPop Demon Hunters’ visuals are grounded in Korean cultural references, from the traditional gat hats worn by the demon boy band, to the humour of the tiger-magpie duo Derpy and Sussie – motifs based on hojakdo folk art, which presented an early form of social critique through a bumbling aristocratic tiger and a wise common-folk magpie. Virality balanced with contemporary concerns From Buffy the Vampire Slayer, to the Sailor Moon anime and manga, to Wednesday, supernatural fantasy texts often depict young women fighting monsters as metaphors for contemporary moral dilemmas. So what are the metaphors here? The film’s literal “demonisation” of pop music isn’t subtle. Yet it acts as meta-textual commentary, actively countering narratives that frame pop culture as inherently negative or destructive. It also highlights the outsized power of celebrities and influencers in the world today, and how they can leverage our attention for their own ends. The Saja Boys play with the notion of influencer as “idol” – in both the celebrity and religious sense – causing viewers to reflect on what celebrities sacrifice for fame, and how it’s a misjudgement to see them as more than human. The Korean word saja has a dual meaning of both lion and Grim Reaper, subtly emphasising the risks of idolisation. For generations raised in the shadows of influencers, the film raises important moral questions. At a time when studios are increasingly leaning on safe options such as adaptations, franchises and sequels, KPop Demon Hunters gave us an original, clever story that caters to online cultures and underrepresented groups, while exploring a range of contemporary anxieties. That, indeed, is how “it’s done, done, done”. Jennifer Stokes, Associate Professor, Teaching and Learning Innovation, Adelaide University This article is republished from The Conversation under a Creative Commons license. Read the original article.

75 pc of consumers, 97 pc of doctors in India trust AI for healthcare: Report (2026-03-16T13:36:00+05:30)

IANS Photo New Delhi, March 6 (IANS): About 75 per cent of consumers and 97 per cent of primary care providers (PCPs) in India are ready to embrace artificial intelligence (AI)-powered healthcare solutions for tasks such as disease prediction, risk assessment, and diagnosis, a new report said on Thursday. The report by, ZS -- a leading management consulting and technology solutions firm -- showed how India is on the brink of a healthcare transformation, driven by unprecedented levels of trust in AI. It highlights that over 60 per cent of Indians are open to adopting virtual care models for services ranging from routine consultations to chronic disease management -- marking a pivotal shift toward digital-first healthcare. Further, more than 63 per cent of Indians show a strong interest in using AI-powered health apps for various healthcare needs including awareness, triage, and adherence. The report also stressed challenges and barriers such as accessibility; increasing pressure on healthcare systems due to ageing populations; overburdened providers and workforce shortages; infrastructure gaps and fragmented care delivery. Regulatory frameworks for data privacy and ethical AI usage also raise significant concerns. “There is a substantial opportunity for healthcare providers and technology companies to capitalise on the high digital health adoption rate. Leveraging data, AI, and technology can transform healthcare by closing care gaps, enhancing patient empowerment, and enabling healthcare providers to deliver flexible care models,” said the report. It recommended stakeholders collaborate to create integrated solutions that align with consumer preferences and relieve strained healthcare systems.The report surveyed more than 12,000 consumers and 1,500 healthcare professionals across India, the US, the UK, China, Brazil, and Japan to reveal critical insights into the current market challenges and future opportunities shaping the global healthcare landscape. 75 pc of consumers, 97 pc of doctors in India trust AI for healthcare: Report | MorungExpress | morungexpress.com

Karisma Kapoor 'honoured' to be a part of a round table attended by Queen of Jordan (2026-02-27T13:42:00+05:30)

(Source Instagram) Mumbai, (IANS) Actress Karisma Kapoor took to her social media account to share a glimpse from her recent exclusive roundtable attended by Her Majesty Queen Rania Al Abdullah, further describing the experience as an ‘honour and privilege’. Karisma took to her social media account to post a group photograph from the private gathering, which saw a select group of successful women from different walks of life for a discussion on women’s empowerment, leadership. In the picture shared by Karisma, the actress is seen dressed in a soft yellow traditional ensemble, standing alongside Queen Rania Al Abdullah. Sharing the image, Karisma wrote, “It was an honour and privilege to be part of a private roundtable in the esteemed presence of Her Majesty Queen Rania Al Abdullah alongside such inspiring women engaging in heartfelt dialogue on women’s empowerment, leadership and the future.” She added, “Moments like these are a powerful reminder that when women come together with purpose, honesty and vision they don’t just shape conversations they help shape the future for the next generation. Grateful to have been part of something so meaningful.” Talking about Karisma Kapoor's Bollywood journey, the actress made her Bollywood debut with “Prem Qaidi” in 1991 and went on to become one of the leading stars of the 90s era of Bollywood. She delivered several hits including “Raja Hindustani”, “Dil To Pagal Hai”, “Biwi No.1”, “Hero No.1”, “Coolie No.1”, “Saajan Chale Sasural” and “Judwaa”. Apart from commercial projects, Karisma also earned immense critical acclaim for her powerpack performances in “Fiza”, “Zubeidaa” and “Shakti: The Power”. She had also won the National Film Award for Best Supporting Actress for “Dil To Pagal Hai”.On the personal front, Karisma married now late businessman Sanjay Kapur in 2003, post which she took a quick sabbatical from work. The couple has two children, daughter Samaira and son Kiaan. After a decade of marriage, Karisma and Sanjay went seperate ways and were granted divorce in 2016. Karisma Kapoor 'honoured' to be a part of a round table attended by Queen of Jordan | MorungExpress | morungexpress.com

Focus apps claim to improve your productivity. Do they actually work? (2026-02-27T13:42:00+05:30)

Dwain Allan, University of Canterbury It’s hardly a revelation that we’re living in an era of distraction and smartphone addiction. Our phones interrupt us, hijack our attention, and tempt us into scrolling. Even when we aren’t interacting with them, their mere presence makes it difficult to concentrate. To address this, app developers have responded with a vast ocean of productivity and focus apps, each promising to tame the chaos with timers, app blocking, habit reminders, and rewards designed to help you stay focused and be productive. To understand whether these apps are worth our while, we first need to consider why staying focused is so difficult in the first place. Why is it so hard to stay focused? By and large, a lack of focus boils down to difficulties with self-regulation, the ability to monitor and manage thoughts, emotions and behaviours for goal pursuit. In short, when a task feels boring, stressful, or tedious, it creates an unpleasant feeling. We then search for relief, and for most of us that comes by way of our smartphone, which has become our go-to coping device, even if it derails the work we need to do. There’s been much talk that our capacity to focus has dwindled in recent years, though this is not supported by the scientific literature. The research does, however, suggest that certain technology habits (especially multitasking and constant digital interruptions) are associated with greater distractibility for some people. In other words, while our ability to focus may not be declining, the modern world places far greater demands on it. The rise of focus apps To cope with these demands, a new generation of focus apps has burst onto the productivity scene. These apps use gamification (the application of game design elements in non-game settings) and cute characters to encourage focused work. Chief among these is Focus Friend, which briefly took over ChatGPT as the most downloaded app during its first month on the App Store in August this year. The app works by encouraging you to set a focus timer. During that session, a virtual bean character quietly knits in the background. If you pick up your phone and open apps you have pre-selected as off limits, the knitting unravels and the bean looks upset. If you stay on task, you earn digital rewards such as socks, scarves, and room decorations for your bean. How does it get you to focus? Beyond the usual gamification tricks, this app also uses several psychological principles. First, it uses incentives by giving you immediate, tangible rewards – knitted items and room upgrades when you complete a focus session. Next, it leverages reward substitution by getting you to do one potentially unpleasant thing (deep work) to earn something immediately enjoyable (seeing the bean’s world improve). The app also stimulates commitment and consistency. Simply starting the timer functions like a small promise to yourself, and once that’s made, we tend to want to behave consistently by maintaining streaks and avoiding behaviour that would break that session. Over time, decorating the bean’s room activates the IKEA effect. That is, we place more value on things we help build, so the more you customise and invest in the space, the more motivated you become to protect it by continuing to focus. Do focus apps actually help? The research examining the effectiveness of focus apps is thin. One study examined a range of apps for reducing mobile phone use and found that gamified focus apps, while scoring high on user sentiment, were rarely used and were less effective than simpler strategies such as switching the phone to grayscale mode. While no peer-reviewed studies exist specifically on Focus Friend, its high App Store ratings plus the slew of articles from enthusiastic users, suggest people enjoy using it. However, enjoyment alone does not correlate with increased focus or productivity. How to use focus apps wisely Do you have an automatic and uncontrollable urge to check your phone when working? If so, you could try to use a focus app. Practical steps include scheduling specific focus sessions in which to use the app and selecting a clearly defined task. Also, when you feel the urge to check your phone mid-session, take note of the feeling and remind yourself that discomfort is part of getting important things done. Finally, after a week of use, review your experience to see whether the app actually helped you make progress. Ask: “is this serving me, or am I serving it?” Be sure to watch for pitfalls. Apps such as Focus Friend don’t assess the quality of your work, so you could spend focused time on low-value tasks. It’s also fairly easy to trick the app using your phone settings. Perhaps most importantly, remember that while a focus app can help you resist checking your phone, it can’t resolve the inner forces that pull you into distraction. The key to better focus might be diagnosis, not download – that is, learning to notice what you feel, choosing how you want to respond, and making the commitment to staying focused on what matters. Dwain Allan, Lecturer, School of Psychology, Speech and Hearing, University of Canterbury This article is republished from The Conversation under a Creative Commons license. Read the original article.

News sites are locking out the Internet Archive to stop AI crawling. Is the ‘open web’ closing? (2026-02-26T11:26:00+05:30)

Tai Neilson, Macquarie University When the World Wide Web went live in the early 1990s, its founders hoped it would be a space for anyone to share information and collaborate. But today, the free and open web is shrinking. The Internet Archive has been recording the history of the internet and making it available to the public through its Wayback Machine since 1996. Now, some of the world’s biggest news outlets are blocking the archive’s access to their pages. Major publishers – including The Guardian, The New York Times, the Financial Times, and USA Today – have confirmed they’re ending the Internet Archive’s access to their content. While publishers say they support the archive’s preservation mission, they argue unrestricted access creates unintended consequences, exposing journalism to AI crawlers and members of the public trying to skirt their paywalls. Yet, publishers don’t simply want to lock out AI crawlers. Rather, they want to sell their content to data-hungry tech companies. Their back catalogues of news, books and other media have become a hot commodity as data to train AI systems. Robot readers Generative AI systems such as ChatGPT, Copilot and Gemini require access to large archives of content (such as media content, books, art and academic research) for training and to answer user prompts. Publishers claim technology companies have accessed a lot of this content for free and without the consent of copyright owners. Some began taking tech companies to court, claiming they had stolen their intellectual property. High-profile examples include The New York Times’ case against ChatGPT’s parent company OpenAI and News Corp’s lawsuit against Perplexity AI. Old news, new money In response, some tech companies have struck deals to pay for access to publishers’ content. NewsCorp’s contract with OpenAI is reportedly worth more than US$250 million over five years. Similar deals have been struck between academic publishers and tech companies. Publishing houses such as Taylor & Francis and Elsevier have come under scrutiny in the past for locking publicly funded research behind commercial paywalls. Now, Taylor & Francis has signed a US$10 million nonexclusive deal with Microsoft granting the company access to over 3,000 journals. Publishers are also using technology to stop unwanted AI bots accessing their content, including the crawlers used by the Internet Archive to record internet history. News publishers have referred to the Internet Archive as a “back door” to their catalogues, allowing unscrupulous tech companies to continue scraping their content. The cost of making news free The Wayback Machine has also been used by members of the public to avoid newspaper paywalls. Understandably, media outlets want readers to pay for news. News is a business, and its advertising revenue model has come under increasing pressure from the same tech companies using news content for AI training and retrieval. But this comes at the expense of public access to credible information. When newspapers first started moving their content online and making it free to the public in the late 1990s, they contributed to the ethos of sharing and collaboration on the early web. In hindsight, however, one commentator called free access the “original sin” of online news. The public became accustomed to getting their digital editions for free, and as online business models shifted, many mid- and small-sized news companies struggled to fund their operations. The opposite approach – placing all commercial news behind paywalls – has its own problems. As news publishers move to subscription-only models, people have to juggle multiple expensive subscriptions or limit their news appetite. Otherwise, they’re left with whatever news remains online for free or is served up by social media algorithms. The result is a more closed, commercial internet. This isn’t the first time that the Internet Archive has been in the crosshairs of publishers, as the organisation was previously sued and found to be in breach of copyright through its Open Library project. The past and future of the internet The Wayback Machine has served as a public record of the web for more than three decades, used by researchers, educators, journalists and amateur internet historians. Blocking its access to international newspapers of note will leave significant holes in the public record of the internet. Today, you can use the Wayback Machine to see The New York Times’ front page from June 1997: the first time the Internet Archive crawled the newspaper’s website. In another 30 years, internet researchers and curious members of the public won’t have access to today’s front page, even if the Internet Archive is still around. Today’s websites become tomorrow’s historical records. Without the preservation efforts of not-for-profit organisations like The Internet Archive, we risk losing vital records. Despite the actions of commercial publishers and emerging challenges of AI, not-for-profit organisations such as the Internet Archive and Wikipedia aim to keep the dream of an open, collaborative and transparent internet alive. Tai Neilson, Senior Lecturer in Media, Macquarie University This article is republished from The Conversation under a Creative Commons license. Read the original article.

S. Korea becomes 1st nation to enact comprehensive law on safe AI usage (2026-02-20T12:23:00+05:30)

IANS Photo Seoul, (IANS): South Korea on Thursday formally enacted a comprehensive law governing the safe use of artificial intelligence (AI) models, becoming the first country globally in doing so, establishing a regulatory framework against misinformation and other hazardous effects involving the emerging field. The Basic Act on the Development of Artificial Intelligence and the Establishment of a Foundation for Trustworthiness, or the AI Basic Act, officially took effect Thursday, according to the science ministry, reports Yonhap news agency. It marked the first governmental adoption of comprehensive guidelines on the use of AI globally. The act centres on requiring companies and AI developers to take greater responsibility for addressing deepfake content and misinformation that can be generated by AI models, granting the government the authority to impose fines or launch probes into violations. In detail, the act introduces the concept of "high-risk AI," referring to AI models used to generate content that can significantly affect users' daily lives or their safety, including applications in the employment process, loan reviews and medical advice. Entities harnessing such high-risk AI models are required to inform users that their services are based on AI and are responsible for ensuring safety. Content generated by AI models is required to carry watermarks indicating its AI-generated nature. "Applying watermarks to AI-generated content is the minimum safeguard to prevent side effects from the abuse of AI technology, such as deepfake content," a ministry official said. Global companies offering AI services in South Korea meeting any of the following criteria -- global annual revenue of 1 trillion won ($681 million) or more, domestic sales of 10 billion won or higher, or at least 1 million daily users in the country -- are required to designate a local representative. Currently, OpenAI and Google fall under the criteria. Violations of the act may be subject to fines of up to 30 million won, and the government plans to enforce a one-year grace period in imposing penalties to help the private sector adjust to the new rules.The act also includes measures for the government to promote the AI industry, with the science minister required to present a policy blueprint every three years. S. Korea becomes 1st nation to enact comprehensive law on safe AI usage | MorungExpress | morungexpress.com

India tops global index in AI skills penetration, hiring (2026-02-17T14:02:00+05:30)

(IANS photo) New York, (IANS) India, which is hosting the International Artificial Intelligence Summit next week, ranks at the top in diffusion of AI skills and AI hiring in an international ranking of countries harnessing the power of AI. India comes second in economic competitiveness in the 2026 Global Vibrancy Index (GVI) produced by Stanford University’s Institute for Human-Centred AI. Only the US has a better score in this category. Overall, in the GVI, India now ranks behind only the United States and China. Within the subcategory of talent within the competitiveness criteria of the GVI, India overtakes the US, propelled by its performance in the AI Skills Penetration and AI Hiring Ratio headers. India is also second in the “AI-Related Social Media Conversations Net Sentiment”, “AI GitHub Projects” and “AI GitHub Projects Stars” sub-categories. GitHubs are used for integrating projects and making components easily accessible. The Institute attributed India’s rankings to renewed major initiatives to strengthen its position in the global AI ecosystem. “This focus illustrates how nations worldwide continue to treat AI as a strategic national priority,” the institution at the heart of Silicon Valley added. India, which ranked seventh in the first GVI released in 2017, overtook countries like Japan, Germany, Singapore and Britain in the latest version, propelled by progress in research and development. India is set to host the India AI Impact Summit from February 16-20 at Bharat Mandapam in New Delhi. Being hosted by the Ministry of Electronics and Information Technology (MeitY) under the IndiaAI Mission, the summit will bring together governments, industry leaders, researchers, startups, students and citizens from across the world. It is envisioned as a pivotal global platform to shape a future-oriented agenda for inclusive, responsible and impactful AI and aims to move beyond high-level discussions and deliver tangible outcomes that can support economic growth, social development and sustainable use of AI.The Summit will be structured around three core pillars -- People, Planet, and Progress -- with discussions focusing on employment and skilling, sustainable and energy-efficient AI, and economic as well as social development. Seven thematic working groups, co-chaired by representatives from the Global North and Global South, will present concrete deliverables, including proposals for AI Commons, trusted AI tools, shared compute infrastructure, and sector-specific compendiums of AI use cases. India tops global index in AI skills penetration, hiring | MorungExpress | morungexpress.com

Milind Soman says OTT platforms are giving 90s actors a new lease of opportunities (2026-02-16T13:00:00+05:30)

IANS Photo Mumbai, (IANS): Actor Milind Soman has highlighted how the entertainment industry has transformed with the rise of OTT and digital platforms. Speaking exclusively to IANS during an event organized by Zydus Pinkathon, Milind Soman spoke about opportunities for veteran actors. He explained that with more content being created for films and streaming platforms, experienced actors from the 90s are now getting a chance to showcase their talent and make a strong mark in the industry. When asked about the resurgence of 90s actors in today’s entertainment landscape, the Paurashpur actor stated that the rise of OTT platforms has helped the older generation gain more opportunities. Milind Soman shared, “I would say that the entire industry has changed because we now have the internet, OTT platforms have emerged, and there is much more entertainment available. Today, there are more options for entertainment—films are being made, shows are being created for OTT. Because of this, actors from the older generation are also getting more opportunities. And since they have more experience, when we watch them, they perform their roles exceptionally well. So, I think it’s a good time for everyone; opportunities are available everywhere.” Needless to say, OTT platforms have given a new lease of life to 90s actors like Bobby Deol. Although his career started on a high note, he struggled to make a lasting mark in the industry. Deol's recent work in streaming hits such as “Aashram” and “Class of 83” has, however, marked a remarkable comeback. Similarly, recently Akshaye Khanna has also benefited from the changing entertainment landscape. In his recent release “Dhurandhar,” he delivered a performance that was widely appreciated.Speaking of Milind Soman, the actor has made notable appearances in several popular OTT shows. He starred as Boris in the fantasy drama “Paurashpur,” and portrayed Dr. Aamir Warsi in the acclaimed series “Four More Shots Please.” Milind Soman says OTT platforms are giving 90s actors a new lease of opportunities | MorungExpress | morungexpress.com

Mithila Palkar didn’t plan her professional journey, says she went with the flow (2026-02-13T13:22:00+05:30)

(Photo : IANS/mithilapalkar/insta) Mumbai, (IANS): Actress-singer Mithila Palkar, who is known for ‘Little Things’, ‘Karwaan’, ‘Chopsticks’, and others, has shared that she didn’t operate under a larger plan to achieve a goal in her professional life. Mithila broke out as a singer on the Internet, later followed it up with acting on OTT, and transitioned into the theatricals. When asked about her conscious choices as an artiste that she took up in her journey, the actress told IANS, “I have always maintained that I went with the flow when it came to navigating my professional life. For me to be an actor, I grabbed it with both hands. What did I know what the internet was going to do? 10 years ago, we were all just starting out on the Internet. The internet revolution was just beginning, in terms of the Internet being a legit medium of entertainment. That time TV and theater and films were the big things. Radio was a big thing. So, we didn't know that the Internet could play out this way. So, I was also experimenting. I was willing to experiment with anything that would let me be an actor and that would give me the creative satisfaction of being an actor”. She further mentioned, “So, I auditioned for anything and everything. The way life has played out for me, is something that I don't think I could have planned better for myself. So, I'm glad I didn't plan it. BecauseI gave myself the freedom to go with the flow and I literally did. I got Filter Copy, who gave me ‘News Darshan’, which was a new satire comedy show after which Dhruv and I did two comedy sketches. And after that, ‘Little Things’ happened, ‘Girl in the City’ happened. So, everything kind of took off from the previous thing. So, I don't think if I would have planned it, I would have planned it this well”.“I do want to mention that I was fortunate that I met the right people at the right time. The people whom I spoke with 8 years ago, we haven't met after that. But 8 years ago, that person mattered a lot in my life, they were very fundamental person in my journey. And I will not forget those people. I'm not mentioning too many of them. But I will not forget what they did for me that helped me push myself. And they have been like, I have had mentors through various phases of my life who have just, you know, stuck by me and said, ‘You don't want to do it? Don't do it’. And maybe after that, we didn't talk because it was just related to one certain project. But they have stuck by me. So, I am very grateful that I did meet the right people at the right time who were kind enough to lead the way for me”, she added. Mithila Palkar didn’t plan her professional journey, says she went with the flow | MorungExpress | morungexpress.com

Divyanka Tripathi follows Neena Gupta, openly asks for voice-over work on social media (2026-02-11T12:15:00+05:30)

(Photo: Divyanka Tripathi/Instagram) Mumbai, (IANS) Television superstar Divyanka Tripathi Dahiya has always proven her acting prowess with her choice of roles and projects she has always taken up. The The actress, post ruling the roost in the acting genre, now appears ready to try her hand at voice work. The actress took to her social media account in expressing her desire to work in the voice modulation genre. She wrote, “Hello! I'm very keen on doing voice recordings and dubbings. If you, dear industry people, have anything suitable in hand, do tell me. Looking forward to new avenues and learnings. Thanks,” with a red heart emoticon. This is not the first time an actress has openly reached out to the industry asking for work. A few years ago, veteran star Neena Gupta too had taken to her social media account and asked for work. She had written, “"I live in Mumbai and am working. I am a good actor, looking for good parts to play." The actor’s post had inspired many celebrities, including international star Priyanka Chopra. Her daughter and ace fashion designer Masaba Gupta had reshared the post and penned a heartfelt note for her mother. She wrote, "Just the other day I was telling someone ... how I am never afraid/shy to ask for work. It's obviously genetic. My mother put up this post on her Instagram today. I mean, my 62-year-old national award-winning mother. She told me I must always work ... no matter what ... it keeps you from getting old ... She told me they don't write for women her age anymore ... I don't think anyone can replicate what she did for TV anymore." Talking about Divyanka Tripathi, the actress has been a part of the entertainment industry for two decades. She debuted with the show Banoo Main Teri Dulhan in the early 2000s. Which was a superhit back then. The actress then, after a decade, yet again rose to fame with her stint on the show “Yeh Hai Mohabbatein”, which was produced by Ekta Kapoor under the banner of Balaji Telefilms. The show featured an ensemble cast including Divyanka, Karan Patel, Ruhanika Dhawan, Anita Hassanandani and Aditi Bhatia. The initial storyline was adapted from Manju Kapur’s 2011 novel “Custody”. The story revolved around the lives of dentist Ishita Iyer and Punjabi businessman Raman Bhalla, who live in Delhi as neighbours. Ishita, who is unable to conceive, faces difficulties in finding a suitable match, while Raman is seen navigating his life as a divorcee and a single parent to his 4-year-old daughter, Ruhi.Their worlds intertwine when Ruhi and Ishita develop a beautiful bond of warmth and love, further leading to Raman’s marriage with Ishita just for the sake of Ruhi. Divyanka Tripathi follows Neena Gupta, openly asks for voice-over work on social media | MorungExpress | morungexpress.com

Neha Dhupia turns to 'Indian nuskhas' for mindful, everyday wellness (2026-02-02T12:46:00+05:30)

(Photo : IANS/nehadhupia/insta) Mumbai, January 21 (IANS) Actress Neha Dhupia says her wellness challenges are rooted in simplicity and sustainability, drawing from tried-and-tested methods rather than quick fixes. Emphasising the importance of consistency over perfection, she shared that initiatives such as her anti-inflammation challenge are aimed at encouraging small, everyday habits that can be sustained in real life. “The thought behind doing these challenges, be it the anti-inflammation challenge or now this one, the idea is to use my tried and tested methods and share simple wellness rituals. These natural wellness methods, or what we Indians call 'nuskhas', are never about perfection or quick fixes,” Neha told IANS. “It’s about reminding ourselves that health is built through small, consistent choices that are sustainable in real life and taking on such a challenge wires us mentally and works towards better health.” She always believed that “wellness should feel approachable, not intimidating”. Neha also noted that simple practices such as mindful eating, daily movement, and supporting gut health can bring noticeable changes in how one feels. “What really excites me is seeing how something as simple as eating mindfully, moving a little every day, or supporting gut health can make a tangible difference to how we feel.” Highlighting the role of digital platforms, Neha said the internet has become a space where people can discover natural wellness hacks and build a sense of community. She encouraged people to tune into their bodies and treat them with respect. The actress concluded: “The Internet is a great place where we can find a sense of community and find such natural hacks. My recommendation is to listen to your body, respect it, and nourish it with intention, whether that’s through movement, rest, or food rooted in traditional wisdom.” On the work front, she was recently seen in the series ‘Single Papa’ on Netflix. The show also stars Manoj Pahwa, Kunal Kemmu, Dayanand Shetty, Prajakta Koli, Neha Dhupia, and Ayesha Raza Mishra. The series follows Gaurav Gehlot, a lovable man-child whose emotional age can best be described as “work in progress.” His sudden decision to adopt a baby right after his divorce leaves his family so shocked that they briefly consider rebooting him. What follows is unprecedented kalesh as the Gehlots scramble to understand how a man who still misplaces his socks plans to raise a whole human.The show has been renewed for a second season. Neha Dhupia turns to 'Indian nuskhas' for mindful, everyday wellness | MorungExpress | morungexpress.com

How to maintain authentic friendships in the social media world? (2026-01-30T13:22:00+05:30)

IANS Photo New Delhi, (IANSlife) Building a friendship is no less than forming any kind of relationship. While many meet soulmates through friends, there are also people out there who struggle to find genuine friends. Especially in the world of social media, in many instances we come across the 'friends for benefits' kind of relationship. Not everyone that comes into our life has good intentions, but hey! it is also how we turn the table. This Friendship Day, let’s find out how your favourite personalities from the internet are dealing on maintaining authentic friendships in the social media world. Palak Rathi, Gen Z Finance Content Creator, "Do you know what’s the best thing about social media? Accessibility. Accessibility to literally anyone and everyone. It’s up to us how we use that accessibility - to just network or to actually build meaningful relationships beyond networking. Don’t connect with people only when you need a favour or there’s some work to be discussed but rather keep talking to them once in a while, check on them, appreciate them, celebrate their small victories by maybe reacting to a story or sending them a sweet message or calling them up to congratulate them. While staying connected online is great, whenever and wherever possible - try to meet them in person. Make efforts. Look and build real friendships. And most importantly - stay genuine and don’t try to be someone who you’re not. Because only then you’ll be able to find people who you can really connect with on a deeper level rather than just likes and comments on the surface level. Talk about your interests, your likings, your struggles (trauma bonding is a thing, haha), your goals - just be yourself and you’ll be surprised to see how it will lead to the start of some extremely meaningful conversations and lifelong friendships. Engage with people whose interests align with you or should I say whose “vibe” matches with you. That will help you make friends and not just connections." Adete Dahiya, Gen Z Lifestyle Content Creator, "Whenever we talk about the impact of social media, romantic relationships often take precedence over anything else. But its impact on friendships and other interpersonal relationships is even more profound. Social media has made it so easy to stay in touch with friends and make new ones online - you can just like their photos on Instagram or react with an emoji to their stories, or just drop a short comment on their latest post and you’re done. But the flip side is that it has made it much harder to maintain meaningful connections and bonds. A few things you can do to counteract this is to schedule regular call times with your friends. It is essential to check in, speak to them face to face and get a deeper understanding of what is happening in each others’ lives. If you live in the same city, make it a priority to meet weekly. The key is not to become lazy because of social media but to use it to deepen your connection." Reshi Magada, Gen Z Finance Content Creator, "Maintaining meaningful friendships as a Gen Z individual navigating the social media environment needs a balance of virtual relationships and in-person connections. To begin, I value honest communication by being open about my views, feelings, and experiences. Sharing both highs and lows helps friends understand each other better. Second, I try to engage in real conversations that go beyond likes and comments. I send individual notes, check about their well-being, and show real interest in their life. In this way, I display that I value and care for my friends. Third, I maintain digital boundaries. To keep my friendships from being superficial, I restrict my screen time and prevent idle scrolling. Instead, I invest in face-to-face interactions and meaningful time spent together, which strengthens the bond. Finally, keep in mind that social media is a highlight reel, and comparison may stunt true friendships. I create a healthy climate for genuine friendships to grow by appreciating my friends' wins without feeling envious. Through these methods, I am able to form and retain genuine friendships in the ever-changing social media world." Caslynn Qusay Naha, Gen Z Finance Content Creator, "Maintaining authentic friendships in the social media world is crucial as we navigate the digital age. It's essential to remember that the principles that apply to real-life friendships can also be applied to our online connections. First and foremost, authenticity is key. Just like in face-to-face interactions, being genuine and true to yourself fosters trust and openness. Share your thoughts, feelings, and experiences honestly, and encourage your friends to do the same. Taking the time to actively communicate and stay connected with your friends is vital. Initiate conversations, respond to messages, and participate in online discussions. By showing interest in their lives and making an effort to stay connected, you demonstrate that you value friendship. Remember, it's not about the number of friends you have, but the quality of the relationships you build. Be present for your friends, celebrate their successes, offer support in their struggles, and be a positive influence in their lives. So, maintaining authentic friendships in the social media world is all about being genuine, avoiding comparison, actively communicating, and valuing the quality of your connections over quantity." relationship maintain authentic friendships social media world How to maintain authentic friendships in the social media world? | MorungExpress | morungexpress.com

Internet shutdowns are increasing dramatically in Africa – a new book explains why (2026-01-10T13:47:00+05:30)

Tony Roberts, Institute of Development Studies Between 2016 and 2024 there were 193 internet shutdowns imposed in 41 African countries. This form of social control is a growing trend in the continent, according to a new open access source book. It has provided the first-ever comparative analysis of how and why African states use blackouts – written by African researchers. The book, co-edited by digital rights activist and internet shutdown specialist Felicia Anthonio and digital researcher Tony Roberts, offers 11 in-depth case studies of state-sponsored shutdowns. We asked five questions about it. How do you define an internet shutdown and why do they happen? Put simply, an internet shutdown is an intentional disruption of online or mobile communications. They’re usually ordered by the state and implemented by private companies, internet service providers or mobile phone companies, or a combination of those. The book argues that internet shutdowns are not legal, necessary or proportional in accordance with international human rights law. Shutdowns intentionally prevent the free flow of information and communication. They disrupt online social, economic and political life. So, each internet shutdown typically violates the fundamental human rights of millions of citizens. This includes their rights to freedom of expression, trade and commerce, democratic debate and civic participation online. Our research looked at case studies from 11 countries between 2016 and 2024. It reveals these shutdowns are timed to coincide with elections or peaceful protests in order to repress political opposition and prevent online reporting. In Senegal five politically motivated shutdowns in just three years transformed the country’s digital landscape. It cut off citizens’ access to online work, education and healthcare information. The Uganda chapter shows how the government imposed social media shutdowns during the election. They were fearful of dissenting voices online including that of musician and politician Bobi Wine. In Ethiopia internet shutdowns are timed to coincide with opposition protests and to prevent live coverage of state violent repression. In Zimbabwe the government cut off the internet in 2019 to quell anti-government demonstrations. It should be a concern that regimes are imposing these digital authoritarian practices with increasing frequency and with impunity. What are the big trends? The report warns that internet shutdowns are being used to retain power through authoritarian controls. Across Africa, governments are normalising their use to suppress dissent, quell protests and manipulate electoral outcomes. These blackouts are growing in scale and frequency from a total of 14 shutdowns in 2016 to 28 shutdowns in 2024. There have been devastating consequences in an ever-more digitally connected world. Internet shutdowns have also increased in sophistication. Partial shutdowns can target specific provinces or websites, so that opposition areas can be cut off. In recent years foreign states, military regimes and warring parties have also resorted to the use of internet shutdown as a weapon of war. This was done by targeting and destroying telecommunications infrastructure. Ethiopia has experienced the most internet shutdowns in Africa – 30 in the last 10 years. They’ve become a go-to tactic of the state in their attempt to silence dissent in the Oromo and Amhara regions. Shutdowns are timed to coincide with state crackdowns on protests or with military actions – preventing live reporting of human rights violations. Ethiopia is a clear example of how internet shutdowns both reflect and amplify existing political and ethnic power interests. Zimbabwe is one of many examples in the book of the colonial roots of shutdowns. The first media shutdowns in Zimbabwe were imposed by the British, who closed newspapers to silence calls for political independence. After liberation, the new government used its own authoritarian control over the media to disseminate disinformation and curtail opposition calls for justice and full democracy. Towards the end of former president Robert Mugabe’s rule, the government imposed a variety of nationwide internet shutdowns. It also throttled the speed of the mobile internet, degrading the service enough to significantly disrupt opposition expression and organisation. Sudan has experienced 21 internet shutdowns in the last decade. These have increased in recent years as the political and military action has intensified. Intentional online disruption has been consistently deployed by the state during protests and periods of political unrest, particularly in response to resistance movements and civil uprisings during the ongoing conflict. Has there been effective resistance to shutdowns? Activists resist by using virtual private network software (VPNs) to disguise their location. Or by using satellite connections not controlled by the government and foreign SIM-cards. They also mobilise offline protests despite violent repression. Nigeria has not suffered the same volume of internet shutdowns as Sudan or Ethiopia. This is partly because civil society is stronger and is able to mount a more robust response in the face of state disruption of the right to free expression. When an internet shutdown has been imposed in Nigeria, the state has not enjoyed the same impunity as the government in Zimbabwe or elsewhere. When Nigerians were unable to work online or participate in the online social and political life of the community, they took decisive action by acting collectively. They selectively litigated against the government. This led to the courts ruling that the internet shutdown was not lawful, necessary or proportionate. The government was forced to lift the ban. How has 2025 fared when it comes to shutdowns? We have seen both positive and negative trends in 2025. The total number of internet shutdowns across the continent continues to grow. The increasing ability of regimes to narrowly target shutdowns on specific areas is of great concern as it allows the state to punish opposition areas while privileging others. On the positive side, we have seen resistance rise: both in terms of the use of circumvention technologies but also in the emerging ability of civil society organisations to stand up to repressive governments. What must happen to prevent shutdowns? The right to work, freedom of expression and association, and the right to access education are fundamental human rights both offline and online. African governments are signatories to both the Universal Convention on Human Rights and to the Africa Union Charter on Human and People’s Rights. Yet, politicians in power too often ignore these commitments to preserve their personal hold on power. In some African countries citizens are now exercising their own power to hold governments to account but this is easier in countries that have strong civil society, independent courts and relatively free media. Even where this is not the case the constitutional court is an option for raising objections when the state curtails fundamental freedoms. And while it is states that order internet shutdowns, it is private mobile and internet companies that implement them. Private companies have obligations to promote and protect human rights. If companies agreed collectively not to contribute to rights violations and refused to impose internet shutdowns, it would be a great leap forward in ending this authoritarian practice. Tony Roberts, Digital Research Fellow, Institute of Development Studies This article is republished from The Conversation under a Creative Commons license. Read the original article.